Price: [price_with_discount] (as of [price_update_date] - Details ) [ad_1] The first English translation of a foundational work in cinema studies and the philosophy of film. When it was first published in French in 1980, The Ordinary Man of Cinema signaled a shift from the French film criticism of the 1960s to a new breed of film philosophy that disregarded the semiotics and post-structuralism of the preceding decades. Schefer describes the schizophrenic subjectivity the cinema offers us: the film as a work projected without memory, viewed by (and thereby lived by) a subject scarred and shaped by memory. The Ordinary Man of Cinema delineates the phenomenology of movie-going and the fleeting, impalpable zone in which an individual's personal memory confronts the cinema's ideological images to create a new way of thinking. It is also a book replete with mummies and vampires, tyrants and prostitutes, murderers and freaks—figures that are fundamental to Schefer's conception ...
Price: [price_with_discount] (as of [price_update_date] - Details ) [ad_1] Though he's only thirteen, Theodore Boone has spent more time in the courtroom than almost anywhere else, and there's always a new adventure waiting. After having been falsely accused of vandalism and theft, Theo is happy to finally be out of the hot seat, once more dispensing legal advice to friends and community members, when an exciting new case demands his urgent attention. [ad_2]
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